![]() He found its "blend of experimental rock and New Wave" both "brash" and innovative, and said that the album is "at times irksome but always groundbreaking." In his five-star review of the album, AllMusic's Ned Raggett called it an "entertaining and often frightening and screwed-up package", and said that "rarely has something aiming for modern pop status also sought to destroy and disturb so effectively." Ian Wade of The Quietus viewed it as an influential "brilliant racket of" what contemporary listeners of the album believe would be the sound of the future, and called its music "thrillingly inventive, reasonably danceable and full of interesting bits to laugh, love and dance to." Slant Magazine's Sal Cinquemani also gave it four stars and said that it was "as subtly influential as Kraftwerk's Trans-Europe Express". ![]() ![]() He said that it encapsulates both the popularity of the Fairlight CMI synthesizer and popular music in 1984-"the dawn of a new pop sensibility where sequencers, samplers and drum machines held sway". In a retrospective review, Charles Waring of Record Collector magazine gave the album four out of five stars and called it a " techno-pop classic". 51 during April 1985 in the UK.Ĭritical reception Professional ratings Review scores 8 in the UK chart in November 1984 and the double A-sided " Moments in Love"/" Beat Box", which made it to No. It features the UK hit singles " Close (to the Edit)" which reached No. Who's Afraid of the Art of Noise? is the debut studio album by the English avant-garde synth-pop group Art of Noise, released on 19 June 1984 by ZTT Records.
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